Příjemný šok, říkají pořadatelé o výtěžku sbírky na pomoc dětským pacientům

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Pátek, 19.2.2021

Nepřerušit tradici. To byl pro vedení olomouckého sdružení Šance hlavní důvod, proč se rozhodlo i přes nejistotu spojenou s pandemií COVID-19 uspořádat v roce 2020 sbírku Vánoční hvězda. Výsledek 23. ročníku charitativní akce, která ohlašuje advent a blížící se svátky, však nakonec pořadatele přímo ohromil. Přestože epidemiologická situace zásadně ovlivnila způsob distribuce a prodeje pryšce nádherného, výtěžek se vyšplhal až na částku 1 924 560 korun. Prostředky poslouží k obohacení života malých pacientů Dětské kliniky Fakultní nemocnice Olomouc.

„Sbírku jsme rozbíhali v září, kdy jsme vůbec nevěděli, jaká bude situace. Chvíli jsme i zvažovali, jestli ji vůbec pořádat, ale nakonec jsme se rozhodli, že důležité je udržet dlouholetou tradici a kontinuitu. Byli jsme ale smíření
s tím, že pandemie výrazně zasáhne do výtěžku sbírky. Mezi největší odběratele totiž vždy patřily základní školy, ale kvůli jejich uzavření se řada objednávek neuskutečnila,“
přiznává ředitelka Šance Herta Mihálová. Sdružení však kontaktovala řada firem a institucí s nabídkou spolupráce a pomoci. „Dobrovolníci se chtěli do sbírky zapojit i přesto, že protiepidemická opatření změnila také koncepci prodeje. Květiny se nemohly prodávat v nákupních centrech, jak bylo zvykem, ale na určených místech formou výdejového okénka,“ dodává Herta Mihálová a připomíná, že více než sedm set vánočních hvězd sdružení darovalo všem zdravotníkům pracujícím na covidových odděleních Fakultní nemocnice Olomouc. „Tímto gestem jsme jim chtěli poděkovat za jejich nasazení v těžkém období,“ vysvětluje ředitelka Šance.

Nakonec se prodalo 39 tisíc květin a finální výtěžek činí 1 924 560 korun, což je pro lidi kolem Šance neuvěřitelný výsledek. „Máme velkou radost. Vůbec jsme s tím nepočítali. Děkujeme všem dárcům i spolupracovníkům,“ je nadšená Herta Mihálová. Finanční prostředky Šance využije především na humanizaci nemocničního prostředí, na nákup nadstandardního vybavení a zdravotnických potřeb, na finanční a sociální pomoc rodinám, na financování rekondičních pobytů pro malé pacienty po léčbě, na doplnění výtvarného materiálů nebo na financování volnočasových aktivit. „V letošním roce chceme výtvarně vyzdobit nově zrekonstruované oddělení JIRP a opravit již dřívější výmalby hemato-onkologického oddělení,“ doplňuje další využití finančních prostředků ředitelka sdružení.

S prodejem vánočních hvězd pro dobročinné účely začalo sdružení Šance v roce 1998. Tehdy se podařilo získat 58 700 korun. Od té doby se částka s drobnými výkyvy rok od roku zvyšovala. V roce 2018 činil výtěžek 3 009 988 korun, o rok později to bylo už 3 196 290 korun. Podrobnosti o sbírce se dozvíte i na webových stránkách www.vanocnihvezda.eu.

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How a drab Soviet metropolis became Central Asia’s capital of cool <a href=https://omgto3.com>omg ссылка на сайт</a> Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty. Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia. https://omgto3.com омг ссылка Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world. Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year. “It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty. “Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.” Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”

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